"She was stored in an empty barn—stuck away for a sale; a matter that, fortunately, I've had neither time nor freedom of mind to arrange. I've simply, in my extremity, fished her out again." "Oh, she thinks they're all right!"!

Fleda moved to the door and opened it. "I'm not prepared to say. You must have patience and see." Fleda hesitated; she had not quite had a definite idea. "Well—he'll give them up."

Mrs. Gereth considered, trying to penetrate, as it seemed; but at last she brought out roundly: "For you, you know, I'd send them back!" Fleda gave a bold dramatic laugh. "Thank you, my love—with all the best things at Ricks!" It was true that when after their return from Ricks they tried to lighten the ship, the great embarrassment was still immutably there, the odiousness of sacrificing the exquisite things one wouldn't take to the exquisite things one would. This immediately made the things one wouldn't take the very things one ought to, and, as Mrs. Gereth said, condemned one, in the whole business, to an eternal vicious circle. In such a circle, for days, she had been tormentedly moving, prowling up and down, comparing incomparables. It was for that one had to cling to them and their faces of supplication. Fleda herself could judge of these faces, so conscious of their race and their danger, and she had little enough to say when her companion asked her if the whole place, perversely fair on October afternoons, looked like a place to give up. It looked, to begin with, through some effect of season and light, larger than ever, immense, and it was filled with the hush of sorrow, which in turn was all charged with memories. Everything was in the air—every history of every find, every circumstance of every struggle. Mrs. Gereth had drawn back every curtain and removed every cover; she prolonged the vistas, opened wide the whole house, gave it an appearance of awaiting a royal visit. The shimmer of wrought substances spent itself in the brightness; the old golds and brasses, old ivories and bronzes, the fresh old tapestries and deep old damasks threw out a radiance in which the poor woman saw in solution all her old loves and patiences, all her old tricks and triumphs.